The HilltopHoods in conjunction with APRA and AMCOS have just announced the opening of their grant program for 2011. Hip hop artists that have not released a record professionally are entitled to apply for the grant. Winners will be given $10,000 worth of support in the recording of an album. Applications open 17th December 2010 and close 22 February 2011 with the winner announced in March 2011.
Further Reading
APRA/AMCOS, Hilltop Hoods and APRA Support Hip Hop (16 December 2010) <http://www.apra-amcos.com.au/news/allnews/HilltopHoodsandAPRAsupportHipHop.aspx > at 16 December 2010
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Welcome
Welcome to the OCA Research Review weblog.
Here I will be posting comments on the research I have been doing for my PhD thesis as well as any interesting articles or websites I have accessed. My main area of research at the moment relates to the Internet and the regulation of digital music, however I read widely on many issues relating to cyberspace and hope to refer to these as they arise. My thesis is on the state of the internet and the potential for political music to act as an agent for social change.
I also ran the OpenContentAustralia weblog where I listed much of the online material I read each month on cyberlaw but it has been put on hiatus due to work commitments.
Sally
Here I will be posting comments on the research I have been doing for my PhD thesis as well as any interesting articles or websites I have accessed. My main area of research at the moment relates to the Internet and the regulation of digital music, however I read widely on many issues relating to cyberspace and hope to refer to these as they arise. My thesis is on the state of the internet and the potential for political music to act as an agent for social change.
I also ran the OpenContentAustralia weblog where I listed much of the online material I read each month on cyberlaw but it has been put on hiatus due to work commitments.
Sally
About Me
- Name: Sally Hawkins
- I am a PhD student with Southern Cross University, NSW Australia, researching and writing on the regulation of political music in the digital environment.
If you use any of my research or blog posts it would be great if you could let me know by leaving a message on one of my posts. Sorry, I had to delete my email address from this page as I was getting spam with virus infected attachments.
Labels
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- Artists (34)
- Authenticity (2)
- Censorship (13)
- Clips (89)
- Cloud Music (3)
- Collective Licensing (14)
- Composition (4)
- Concerts (13)
- Conferences (30)
- Constitutional Law Australia (9)
- Copyright Expansion (9)
- Copyright Law Australia (31)
- Copyright Law USA (32)
- Copyright Term (10)
- Creative Commons (14)
- Culture (23)
- Digital Environment (49)
- Digital Media Stores (7)
- Diversity (11)
- DMCA (4)
- DRM (13)
- Economics (7)
- Education Campaigns (6)
- Expression (7)
- Failure to Adapt (2)
- Fair Use/Fair Dealing (24)
- File Sharing (36)
- Film (4)
- Filtering (16)
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- Graduated Reponse (19)
- Graduated Response (1)
- History (6)
- IASPM (11)
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- iiNet (4)
- Independents (3)
- International Copyright Issues (15)
- ISP Liability (8)
- iTunes (6)
- Labels Revenue (3)
- Licensing (3)
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- Meaning (2)
- Media Ownership (4)
- Music as Language (4)
- Music Lockers (2)
- Music With a Message (22)
- Musicians and Politics (41)
- Network Neutrality (9)
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- Other (25)
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- Pirate Party (2)
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- Protest Music (83)
- Public Choice Theory (8)
- Public Domain (9)
- Reception (17)
- Record Labels (1)
- Recording Contracts (1)
- Royalties (7)
- Sampling (8)
- Semiotics (1)
- Social Context (15)
- Social Networking (11)
- Song of the Moment (12)
- SoundCloud (2)
- Statistics (5)
- Streaming Music (7)
- Structuralism (1)
- Subconscious Copying (1)
- Technological Determinism (1)
- Terrestrial Radio (2)
- the plan (2)
- Theory (2)
- Variable Pricing (1)
- Wicked Wesbites (7)
- Year in Review (32)
- YouTube (7)
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