Thursday, April 28, 2011

10 May High Court challenge

Just as the United States gear up to introduce public performance royalties for radio, the Australian music industry are heading to the High Court next month to challenge the 1% cap on commercial radio revenue payable to record labels and recording artists for the use of their music on air. The cap further stipulates that the ABC which includes digital radio, Radio National and Triple J only needs to pay half a cent per head of population for all the music it uses on its shows.

Here's what AIR have to say about it:

"This outdated law imposed limitations on commercial negotiations and didn't take into account any potential changes to the Australian radio landscape in the future, so much has changed since then. The 1% cap is a law that is outdated, a law that in effect provides a subsidy to a billion dollar media industry at the expense of record labels and musicians...

At the time that the 1% cap was introduced, no-one envisaged the phenomenal growth of commercial radio in Australia. In fact, last year the industry which had grown to include 273 commercial radio stations Australia-wide reported combined revenues of more than a billion dollars over the 2010 calendar year. It is estimated that 70% of that money comes from the FM sector. Commercial radio is an industry that leverages huge sums of money from advertisers due to combined audiences of more than 9 million people...

None of the powerful Australian commercial FM networks could survive by providing a diet of talk and advertisements without music. A billion dollar industry built on the back of musical content now only pays approximately $4 million dollars a year for the music that they play. Normally rates paid by users of music (or for that matter, any copyrighted material) are negotiated between the record labels and the users, if they can't reach agreement the issue will go to the Copyright Tribunal for an independent hearing. The only exception to this process is the broadcast licence fee paid by radio stations for use of sound recordings, where the cap hinders labels by providing a ceiling to all negotiations which favours the users...

The whole situation means that owners of master copyrights are only getting paid one tenth the amount that APRA registered songwriters and publishers are receiving for the same material..."

I have already suggested that the rate at which royalties need to be paid for the use of recordings on terrestrial radio is the sticking point for me in the United States negotiations and yet there the National Association of Broadcasters are also looking for a 1% cap.

Given the free advertisement that radio provides to artists and the fact that it is a symbiotic relationship with each depending heavily on the other I believe there should be a cap on the rate that royalty payments are set. These arguments do little to highlight the fact that the revenues of the commercial radio stations have increased over time as has the overall population of the country. Furthermore, the ABC and community radio stations, should be left out of the discussion altogether as they provide a community service rather than profit commercially from the endeavors. Songwriters and publishers have far fewer revenue streams and should be treated differently - copyright holders can make money in other areas and should not be greedy.

The case will be heard on the 10th May 2011 so stay tuned for further developments.

Further Reading

AIR Independent Music Blog, The 1% Cap (April 2011) < http://ausindies.com.au/ > at 28 April 2011

Rethink Music Conference Papers

The Berkman Centre have kindly released the briefing book for the Rethink Music Conference held earlier this week in the United States. Of particular interest to me is the Framing Paper which considers some of the most recent developments in the digital music/law/internet field. The paper considers sampling, mashups and the emergence of remix culture; the changing relationship between artists and labels; anti piracy rights and the enforcement of copyright; law, policy and digital music delivery; collective licensing and alternative compensation methods, as well as network neutrality.

There are a number of other papers also worth reading so take the time to download the book and have a read.

Further Reading
Berkman Center for Internet and Society, Rethinking Music A Briefing Book (25 April 2011) < http://cyber.law.harvard.edu/sites/cyber.law.harvard.edu/files/Rethinking_Music_Briefing_Book_April-25-2011.pdf > at 28 April 2011

Friday, April 22, 2011

Parodies - Weird Al

There are some interesting reports on the web that Weird Al was not given permission to release this parody of Lady Gaga called Born This Way:



Arguably permission is not needed and this is a fair use. Had this taken place in Australia the situation would have been more complicated. While parodies are protected under Australian copyright law and they come clearly within fair dealing provisions (ss 41A and 103AA Copyright Act 1968 (Cth)) moral rights that specify the non derogatory treatment of copyrighted material may have required permission to be granted to ensure there is no breach of the Copyright Act (s 196AJ). The clip is a little boring but given the hasty release perhaps there is a chance another will be released soon.

Further Reading

TechDirt, Weird Al Denied Permission To Parody Lady Gaga... Releases New Song For Free Anyway [Updated] (21 April 2011) < http://www.techdirt.com/articles/20110421/10431413988/weird-al-denied-permission-to-parody-lady-gaga-releases-new-song-free-anyway.shtml > at 22 April 2011

Thursday, April 21, 2011

New Stuff

Check out this interview with the band The Herd on their recent trial of a 'pay what you want' business model for their new single The Sum of it All. They state that the trial has been successful with hundreds of downloads, some around the $10 to $20 mark with their use of a mailing list and social networks such as Twitter and Facebook to advise fans that the song is now available. This week the song also became available via iTunes so it will be interesting to see whether fans that are yet to purchase use the 'pay what you want' model still or prefer iTunes. This interview also enables readers to watch the new clip to their single - this has only become available today.

ALSO for those in Australia that didnt catch HungryBeast last night on the ABC it is worth checking out on iView (not available outside Australia) as it was a download special which made particular reference to cloud computing and the trend toward streaming and away from downloading from file sharing networks. It was really interesting with very current information about Amazon's new service.

Further Reading
The Vine, The Herd - interview (1 April 2011) < http://www.thevine.com.au/music/interviews/the-herd-_-interview20110401.aspx?ctpage=0 > at 21 April 2011

Friday, April 15, 2011

MURUNDAK - Songs of Freedom

'murundak - songs of freedom' - Official Trailer from Daybreak Films on Vimeo.



There is a new documentary showing in Australia called MURUNDAK Songs of Freedom which tells the story of Aboriginal protest music over the past ten, or so, years. You can see if the movie is screening near you here.

In an interview about the film those behind it state:

With this documentary ‘murundak – songs of freedom’ we thought we could open a door to the story of the struggle through the songs that have galvanised blackfellas for decades but which very few whitefellas know about. But we knew that film could also create the kind of intimacy needed to just sit and listen to these stories, to these songs of the resistance and celebration, in a way that was both deeply personal and a shared history... There have been a number of currents in contemporary Aboriginal music and many remarkable pioneers in musical strands like country, desert rock and more recently hip hop and metal. What the film focuses on are the anthemic songs tied together by a protest and folk tradition. What brings these songs together is their declarations of protest, their stories of survival and the energy and spirit that makes them so connected to the community that heard them and sung along with them.


The film's website is available here and it certainly looks worthwhile checking it out.

The Politics of Song

Radio National in Australia are presenting a special on Bob Dylan and Ani Di Franco tomorrow at 5pm. The show, Into The Music, is presented by Robyn Johnston and is repeated on Fridays at 3pm. The audio should be streamable from their site sometime after Saturday.

You can read more here but in essence the show is about the social and political context and music of Bob Dylan - in particular his song The Lonesome Death of Hattie Carroll as well as the audience reaction and composition of the Ani Di Franco song Self Evident which critics the Bush Administration and the reasons behind 911.

I am writing about Ani Di Franco in my thesis so I am especially excited about this show - it should make great listening.

Tuesday, April 12, 2011

Mimi & Eunice



Available here.

Amazon & Music Lockers

Well the debate about whether Amazon needed licenses to launch its new music locker service is heating up.

On the one side Amazon seems to suggest that it is doing the industry a favor - they state there is a consumer pain point with respect to the availability of their music and that by introducing a service that allows people to stream their music from anywhere they are, they are addressing a current short fall in the industry. Their argument is that with added services like this consumers are likely to be more willing to pay for music and therefore overall sales will increase. Others also state that recommendation services and ad-ons that encourage music purchases are a likely future development for these services which again will increase the amount spent on music.

In the other corner are the record labels who suggest that licenses are required. In the United States it would be hard to argue that these services are not fair use but in countries such as Australia, it has been suggested that the current law allowing format shifting of music is less likely to include a locker service. Personally, I'd be willing to argue that this is fair dealing in Australia and exactly what the legislators had in mind when crafting section 109A of the Copyright Act 1968 (Cth). Especially given that in the definitions section it states that "private and domestic use" means private and domestic use on or off domestic premises.

Music lockers are not a new concept with others already existing and the issues already being litigated in court - see the case against MP3tunes. Its just that Amazon have the negotiation power to force lower royalty rates on the industry in the event that they do negotiate licenses. Others such as Google and Apple also have the market power to launch without licenses and it will be interesting to see in the coming months whether they feel the need to license up front or are willing to let nature take its course. Others without the market share such as Beyond Oblivion seems to have to offer millions to operate a similar service.

For me, like many, the question remains whether my iTunes songs are uploadable and given the DRM restrictions I think I will have to wait until Apple joins in otherwise I might be forced to repurchase a whole heap of songs again - something the labels would love to impose and perhaps even insist upon in the future. This is an issue that I will keep watching and will let you know how things develop.

Further Reading
The Music Network, The Hook: Do cloud-based music services require licensing deals? (11 April 2011) < http://www.themusicnetwork.com/music-features/industry/2011/04/11/the-hook-do-cloud-based-music-services-require-licensing-deals/ > at 12 April 2011

Wikipedia, Michael Robertson (businessman) (11 April 2011) < http://en.wikipedia.org/wiki/MP3tunes#MP3tunes > at 12 April 2011

ArsTechnica, Amazon on Cloud Player: we don't need no stinkin' licenses (29 March 2011) < http://arstechnica.com/media/news/2011/03/amazon-on-cloud-player-we-dont-need-no-stinkin-licenses.ars > at 10 April 2011

ArsTechncia, Music industry will force licenses on Amazon Cloud Player—or else (31 March 2011) < http://arstechnica.com/media/news/2011/03/music-industry-will-force-licenses-on-amazon-cloud-playeror-else.ars > at 10 April 2011

Digital Music News, Sony/ATV to Amazon: "We Are Considering All Options..." (1 April 2011) < http://digitalmusicnews.com/stories/033111sony > at 2 April 2011

TechDirt, Amazon Launches Digital Music Locker, Even As Legality Is Still In Question (29 March 2011) < http://www.techdirt.com/articles/20110329/02085613669/amazon-launches-digital-music-locker-even-as-legality-is-still-question.shtml > at 1 April 2011

TechDirt, New Music Locker Startup Looks More Like Sucker's Bet To Transfer Cash From Investors To Music Labels (15 March 2011) < http://www.techdirt.com/articles/20110311/00445413437/new-music-locker-startup-looks-more-like-suckers-bet-to-transfer-cash-investors-to-music-labels.shtml > at 17 March 2011

Friday, April 8, 2011

Stephen Colbert Sings "Friday" on Late Night with Jimmy Fallon

Check out this YouTube clip - aside from being funny and a very good cover (better than the original!LOL!) there is a 40 second gap at the front of the clip - this is to get around YouTube's copyright filter. Below the clip on YouTube it states:

"This is the video of Stephen Colbert singing Friday with jimmy Fallon. Due to Copyright restrictions, this video is mirrored. Please skip to 0:40 to watch the video because youtube only analyze the first 40 seconds of the video for copyright purposes."



This is a little provocative and might open up YouTube to further litigation - at the moment there is already litigation concerning YouTube's initial policy of only acting on take down notices rather than actively policing its site. Since then filtering has been introduced however tactics like this could potentially open up their filtering efforts to scrutiny as well. Keep in mind that there is already a dispute brewing over who owns the copyright and the parties here may find themselves in a very messy situation.

Further Reading
TechDirt, YouTube's Reply In Viacom Case Demolishes Each Of Viacom's Key Arguments (1 April 2011) < http://www.techdirt.com/articles/20110401/02080513719/youtubes-reply-viacom-case-demolishes-each-viacoms-key-arguments.shtml >at 8 April 2011

EFF, Lawsuit Against YouTube Threatens Global Growth of Political Speech (7 April 2011) < https://www.eff.org/press/archives/2011/04/07 > at 8 April 2011

TechDirt, Copyright Fight Ensues Over Rebecca Black's 'Friday' (7 April 2011) < http://www.techdirt.com/articles/20110406/00514213794/copyright-fight-ensues-over-rebecca-blacks-friday.shtml > at 8 April 2011

Monday, April 4, 2011

AMIN online

The Australian Music Industry Network has launched a series of online resources to help emerging artists and managers navigate some of the music industry legal terrain.

The free information sheets and checklists cover a broad range of issues including:

Band Partnerships
Booking Contracts
Distribution Agreements
Filming Agreements
Management Agreements
Master Licences
Producer Agreements
Publishing Contracts
Recording Contracts
Remixer Agreements
Synchronisation Licences

AMIN has also developed and released information to help artists deal with taxation issues. The online resources are available here.

Further Information
QMusic, AMIN Releases Free Legal Resource (1 April 2011) < http://www.qmusic.com.au/dsp_broadcastarticle.cfm?categoryID=1&articleID=9519 > at 4 April 2011

AMIN, AMIN releases free legal resource (25 March 2011) < http://www.amin.org.au/?p=684 > at 4 April 2011

AMIN, AMIN Legal Pack (undated) < http://www.amin.org.au/?page_id=597 > at 4 April 2011

IFPI Report

The latest on international music sales looks about the same as it has in recent years with digital sales not yet making up for the drop in CD sales. Streaming is reported as picking up but the revenue from that area again leaves the recording industry struggling. Overall the drop globally was 8.4% with Australia dropping 12.4% in 2010. The usual rant about piracy was given as the main reason behind the drop in sales.

Further Reading
The Music Network, IFPI report: Global music trade down 8.4% (4 April 2011) <http://www.themusicnetwork.com/music-news/industry/2011/04/04/ifpi-report-global-music-trade-down-8-4/> at 4 April 2011